Piazza Vittorio Emanuele II

What a difference a few years can make. I had not been to Piazza Vittorio Emanuele II, commonly referred to as Piazza Vittorio, for several years, as my last visit was definitely P.C. (Pre-Covid). But I recently rediscovered the park (technically, the Giardini Nicola Calipari) in this piazza after a visit to Rome’s newest museum, which is about the ancient gardens that were once in this very spot.

The park was quite run down and a bit seedy on my previous visit. Back in P.C., many of Rome’s parks were getting quite run down. I don’t know how recently or why the piazza was spruced up since something like this would have taken lots of time for planning and execution. But now, I am impressed and delighted with this pleasant little park. 

It was a beautiful day on this recent visit, though the skies were periodically threatening a light rain. Everything was green and lush, and the roses were in full bloom.

The park at Piazza Vittorio Emanuele II

 

Lots of roses in bloom

 

Another view of the park

The park — the gardens — contains several features of interest. The so-called “Trophies of Marius,” are the remains of an ancient nymphaeum — basically, a really big water fountain — built by Emperor Severus Alexander in 226 C.E.

The “Trophies of Marius”

 

Another view of the “Trophies of Marius”

The second feature is much stranger. The “Magic Door” (a.k.a., the “Porta Alchemica”) is a marble doorway set into a wall, and the doorway is guarded by two statues of the little Egyptian god Bes. It’s all that remains of a villa built by Massimiliano Palombara, the Marchese of Pietraforte. Legend says the marchese hosted an alchemist who conducted experiments at the villa. He attempted to turn base metals into gold while there. But the alchemist vanished, leaving behind some gold flakes and a parchment of esoteric symbols and words. The marchese had them carved into the doorway in the hope that someone, someday, could decipher them.

The “Magic Door”

 

One of the two statues of Bes that guard the doorway

 

The mysterious plaque on the top of the doorway. You can make out some strange symbols and writings.

Elsewhere in the park, there are some nice things to see, including a fun, brightly-colored mosaic.

The mosaic mural

 

Close-up of the gorgeous mural; I am guessing those are the names of children who worked on it

 

A decorative monument with a tree motif

 

The Fontana del Glauco, by sculptor Mario Rutelli (unfortunately, the fountain is dry)

 

A close-up of the fountain

There’s a playground area for children, and in one corner of the park there is a little bar.

The playground area at Piazza Vittorio

One thing I noticed is an interpretive plaque that discusses the history of the park in multiple languages.  A very nice touch.

The interpretive plaque describing Piazza Vittorio

I also noticed that a number of little huts have been installed for the park’s resident semi-feral cats — another nice touch.

A neat row of little cat huts and some furry residents, in a protected area

What a wonderful surprise to find this little park, once so neglected, is now cared for and enjoyed by many.  

When the skies followed through on their threat to rain, it was time to go. I opened my umbrella, headed to the nearby metro, and returned home.

The park at Piazza Vittorio, as we all opened our umbrellas and left

Piazza Vittorio is a significant locale in Rome, meriting its own metro station. It’s on Line A, just four stops away from the apartment.